'The legendary Aphex Twin returns bringing the heat once more! One of the most spectacular and critically lauded artists in the world, the Collapse EP is one surely not to be missed!!! For nearly three decades Aphex Twin has reigned as The God of Electronic Music. His tunes have packed dancefloors, soundtracked late night sessions and highlighted festivals around the globe. The emotional crescendos he manages to sculpt from his melodies take the listener on a roller coaster of feelings. Also known as Richard D. James, the Duke of Rave has built a career on frollicking visuals and beastly bangers, but this doesn t mean the man cannot trade in a whole plethora of emotions, Avril 14th is a sumptuous celestial patchwork of sadness and euphoria, whilst Come to Daddy is without doubt the most petrifying song in the universe. The Collapse EP falls between these, affirming him as the very best electronic wizard in the game! The Collapse EP is a juicy bag of delights. Extending the flamboyant paths that Aphex Twin has consistently managed to forge through his dizzying career. From the utterly exhilarating T69 collapse to the complete and utterly bonkers, instantaneous and life affirming abundance10edit[2 R8's, FZ20m & a 909] featuring vertigo inducing high hats and sauntering arrangements with some brain scrambling noise thrown in for good measure!
The legendary Warp Records duo Autechre return with their first physical releases since 2013's Exai. Originally aired across four, two-hour shows on NTS Radio, NTS Sessions is an archival release of this lauded new and original music. 8CD in printed inner wallets with foil block to each cover. Housed in a rigid slipcase wrapped in printed offset stock with foil block to cover.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
Brightons Go! Team return with new single Semicircle Song out on 1 December on long term label home Memphis Industries. Semicircle Song is taken from The Go! Teams new album SEMICIRCLE due 19 January. These are dark and difficult times. We dont need some chancer with an acoustic guitar and a series of concerned hashtags to tell us that. What we need is a band to believe in, who stand for something other than naked careerism, who give us a rock to cling to on stormy days. A band who still have faith in the power of pop music to transform the world, who dream in technicolour, who see beauty in the little things, who shun tepid perfection, who rejoice in the mistakes and the chance encounters that lead us somewhere new. Who remind us what it was like to be young and naive and idealistic and in love. Who throw everything into the pot to create music that is joyfully, effervescently alive. Now more than ever, we need The Go! Team. Its no secret that The Go! Team is the brainchild of one man, Brighton-based melody obsessive Ian Parton. But its membership has never been exclusive: at one time or another, The Go! Team has included on its squad-sheet everyone from Deerhoof to Chuck D to a legion of undiscovered Soundcloud singers. Unlike the groups previous album, 2015s The Scene Between which was essentially a solo project, following the dissolution of the previous Go! Team line-up Ian began work on their fifth album SEMICIRCLE with the vital input of current live band players Simone Odaranile (drums), , Angela Maki Won-Yin Mak (vocals and guitar) and original Team members Sam Dook (guitar) and Ninja (irrepressible rapping).
One of the most influential artists of a generation and a long-standing member of the Warp Records family, Nightmares On Wax announces his new album Shape The Future. A perfect marriage of soul, hip-hop, dub and timeless club sounds that act as a salvo masterpiece of contemporary and classic genre-blending, brilliantly solidifying Nightmares On Waxs place as an inspirational electronic music figurehead.
For the past two years, Nils Frahm has been building a brand new studio in Berlin to make his 7th studio album titled All Melody, which will be released on January 26th, 2018 via Erased Tapes, before Nils embarks on his first world tour since 2015. His previous albums have often been accompanied with a story, such as Felt (2011) where he placed felt upon the hammers of the piano out of courtesy to his neighbors when recording late at night in his old bedroom studio, and the following album Screws (2012) when injuring his thumb forced him to play with only nine fingers. His new album is born out of the freedom that his new environment provided, allowing Nils to explore without any restrictions and to keep it All about the Melody. Despite being confined within the majestic four walls of the historical East German Funkhaus, buried deep in its reverb chambers, or in an old dry well in Mallorca, All Melody is, in fact, proof that music is limitless, timeless, and reflects that of Nils own capabilities. From a boys dream to resetting the parameters of music itself. The cover art was taken by photographer Lia Darjes in Nils new studio and designed by Torsten Posselt at FELD. A series of these in-studio photos will be included in a booklet with the physical copy of All Melody.
Music For The Long Emergency is the collaborative album from Minneapolis-based electronic quintet POLIÇA and European orchestral collective s t a r g a z e. The two bands met for the first time in Berlin in 2016, and while the collaboration started in the same room, the process continued as an 18-month long ''ping pong'' match as the bands exchanged ideas and music over email, mp3 files, video conferencing, and the occasional meet-up in Berlin, Minneapolis, and Eau Claire. Both bands were adamant that whatever they created ''not just be POLIÇA songs with s t a r g a z e pasted on top,'' as POLIÇA vocalist Channy Leaneagh puts it, and the end result is the most adventurous and forward-thinking music either group has made to date.
Segmented Tri-Color vinyl – Blue/Red/Yellow/Red
Exclusive back cover design by We Buy Yours Kids
Exclusive fold-out poster photographed by Jamie Wdziekonski
Includes lossless digital download of King Gizzard live @ Webster Hall, NYC 3.31.17. Mixed by Stu Mackenzie
English lyrics insert
New Order have announced a new live album, NOMC15, recorded at Brixton Academy in 2015 following the release of their most recent studio LP (and Mute debut) "Music Complete". It features a set consisting of tracks from the new album, as well as cuts from their back catalog and songs by Joy Division.
‘Utopia’ is the ninth studio album from the iconic artist Björk, out November 24th via One Little Indian Records. The album's artwork was created in collaboration of M/M, Jesse Kanda and James Merry and reflects the records sonic direction; optimism, lightness, utopia. The album is written by Björk with five of the 14 songs co-written by Arca and one of the songs co-written by Sarah Hopkins. All of the songs except one is coproduced by Arca. One of the songs is co-produced by Rabit. Björk formed a twelve piece Icelandic female flute orchestra, which she arranged for and conducted. She also wrote an arrangement for Hamrahlíðarkórinn, a choir conducted by Þorgerður Ingólfsdóttir. The album was edited and structured by Björk on Protools. It was engineered by Bergur Þórisson, Bart Migal and Chris Elms. It was mixed by Heba Kadry and Marta Salogni and mastered by Mandy Parnell. The album cover was created by Jesse Kanda, in collaboration with Björk, James Merry and makeup artist Hungry. The rest of the album artwork will feature new digital illuminations and typography from MM Paris. Of the album she explained to Dazed this Summer that, ““Maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, If we don’t have the dream, we’re just not gonna change. Especially now, this kind of dream is an emergency.
Is That Light You Carry? is the debut record from Third Culture Kings, a new project led by Jan Johansen (Glorybox) and Alap Momin (dälek). Filtering classic vibes through modern interpretation, 3CK reimagine The Velvet Underground or Leonard Cohen if they had been mixed by King Tubby and Afrika Bambaataa all the while incorporating influences as diverse as Indian drone, early 80’s synth pads and Miami booty bass. Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar - were created or recorded directly to an IPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos that were eventually dropped on top of the finished tracks.
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two decades, Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.
Mareridt (translation: Nightmare) is the highly anticipated sophomore full-length from renowned Danish composer and multi-instrumentalist MYRKUR. Recorded between Copenhagen and Seattle with producer Randall Dunn (Marissa Nadler, Earth, Sunn O))), Boris, Wolves In The Throne Room), Mareridt is a rich juxtaposition of the dark and the light; the moon and the mother earth; the witch and the saint. MYRKUR explores deeper into the mysterious and the feminine with 11 tracks that further progress her visionary blend of metal with gorgeous, stirring melodies, dark folk passages, choral arrangements and superb, horrific beauty. Further taking MYRKUR to new artistic heights are lyrics in multiple languages, an unforgettable collaboration with Chelsea Wolfe and an array of special instrumentation including violin, mandola, folk drums, nyckelharpa (an ancient Swedish key harp), and Kulning (an ancient Scandinavian herding call). Mareridt is a profound manifestation of nightmares that demonstrates MYRKUR as one of the truly exceptional artists of our time.
Kllo, an electronic pop collaboration between Melbourne cousins Chloe Kaul and Simon Lam, waded in figurative backwater for much of 2016, amidst an extensive world tour. These were exciting times; the duo's Well Worn EP furthered the promise of 2014 EP Cusp, receiving millions of streams and landing Kllo on festival stages as well as Artists-to-Watch lists. Nonetheless, the stretch kept them far from home, isolated and vulnerable, treading through perpetual uncharted territory while yearning for the comforts of the familiar. Kllo have officially come out the other end of the stilted estuary with twelve compositions cultivated to feel timeless and crafted, and equally current. The duo’s debut full length - and their most realized work to date - Backwater celebrates the ephemeral and the enduring changes in emotion, the downfalls and the dissolves. It’s an album that parts course with its flow, and flourishes in a lowland.
Skinny Puppy exploded onto the electronic industrial music scene with 1984’s Remission, fusing elements of new wave, techno dance, film noir, and innovative sampling. Lead by cEvin Key and Nivek Ogre, the band quickly garnered an international fanbase and followed up their new success with 1985’s Bites, which produced their first underground hit, “Assimilate.” Restored to their original track listing and design, Remission and Bites are now available on vinyl for the first time in over 25 years.
AMERICAN DREAM is the long awaited fourth album from LCD Soundsystem. The album is available digitally, and on CD and LP.
The first two singles released from the album are "call the police" and "american dream," that moved Pitchfork to rave the songs "couldn't sound timelier" and that "Murphy and company have never sounded so invigorated." The New York Times hailed "call the police" as "a quietly ambitious protest song… except that instead of searing, it motors," and Noisey embraced "american dream" like "a warm blanket." The band debuted both of these tracks on a May, 2017 appearance on Saturday Night Live. The next track and video that followed is "tonite."
Tricky returns with his 13th album, ununiform, out in September on his own label False Idols via !K7 Music. It's a delicate, storming, intricate album that sees Tricky take perhaps his most radical step yet a journey into happiness and contentment. It's a record that shows the legendary British producer confront his legacy, history, family & even death itself. And in all of this, he finds the strangest, least familiar thing & peace.
Phantom Brickworks is a project that Bibio has been working on for a while, inspired by places with an industrial history - the title referring to the ghosts of this activity living on in the landscape today. This completely instrumental output presents itself with the weight of a cinematic score, the ambient and drone arrangements looping to draw listeners into this emotionally affecting world of sound. Deviating from the more pop-eschewing songwriting of his recent releases, this album showcases Bibios immense talents as a musician. Appealing to diehard Bibio fans eager to see him stretch his artistic muscles, as well as fans of artists like Grouper, Olafur Arnalds, Basinski, Nils Frahm, Max Richter, and Johann Johannsson.
Can you recall how happy you felt when your all-time favorite Trance tune filled the air around you at a massive Trance event? Does the prospect of an all-classics live set fill your heart with joy? What if we said that you can get that feeling anytime you want, wherever you are? With 'A State Of Trance Classics Vol. 12', you've got the history of Trance music within arm's reach. Stacked full of timeless productions from the likes of Above & Beyond, Armin van Buuren, ATB, Chicane, Cosmic Gate, Gareth Emery, Markus Schulz, Paul van Dyk, Signum, Super8 & Tab and more, this monumental twelfth edition in the 'A State Of Trance Classics' series can turn any moment into a trip down memory lane. A must-have for all who look back on the early years of Trance with a smile brighter than the sun, 'A State Of Trance Classics Vol. 12' is here to stir the embers of ancient hits and fuel the fire that is your love for Trance music.
The Bloody Beetroots and Sir Bob Cornelius Rifo’s discography features a string of successful EPs and two full length albums (2009’s Roborama and 2013’s Hide)—including collaborations with Sir Paul McCartney, Tommy Lee, Steve Aoki, Peter Frampton and many more. Clubs, theaters and festivals around the world have thrilled to different incarnations of The Bloody Beetroots’ incendiary live show. Form Coachella to Lollapalooza to Governor’s Ball to Big Day Out, The Bloody Beetroots Live have entertained millions across 6 continents. But he doesn’t just want to entertain audiences; he strives to engage and challenge them, emotionally and intellectually. And he’s increasing articulate in his pursuit of that goal. For his new album, The Bloody Beetroots is working closely with myriad artists, including Perry Farrell of Janes Addiction, Jay Buchanan of Rival Sons, Wade McNeil from Gallows, San Diego Cholo Goth duo Prayers, Deap Valley, Australian singer Nic Cester and Jet, and many more. The audience has been hearing Bob’s music in campaigns by BMW, Fiat, YSL, Lancome and media like CSI, Vice, Star Trek, Entourage, Teen Wolf, Hawaii Five-O, Need for Speed, Moto GP and many others.
Pioneers, philosophers, trailblazers, in short: prophets always have to assemble their flocks abroad before they find due recognition in their homelands. This also applies to the German art form KMFDM. Whether in the US, Japan, Australia or elsewhere - for over a quarter of a century they are the epitome and synonym for a musical style of the harder variety: Industrial Rock.
Now KMFDM are preparing to release their first new studio album in over 3 years entitled "HELL YEAH" on August 18th via earMUSIC. An EP, "YEAH!" was released earlier to whet fans appetite and features some great remixes. Lead single HELL YEAH is an instant KMFDM classic with its ultra-heavy beat and Sascha Konietzko s trademark cynical lyrics. The album ranges from songs that are sometimes political "FAKE NEWS", "TOTAL STATE MACHINE" to more techno/dance tracks "MURDER MY HEART" and "Rx 4 THE DAMNED" diverse like the band itself, the songs are sometimes political, sometimes with ironic lyrics and an underlying humorous edge but 100% KMFDM.
With its cover artwork having been created by Aidan Hughes aka BRUTE!, HELL YEAH will be available on 1CD Digipak, 2LP Gatefold (180 Gram/45 RPM) and Digital.