PREORDER UPCOMING RELEASES
Audiences from Manchester to Melbourne, London to Los Angeles, Newcastle to New York, and everywhere in between have been engulfed by the swell of eager sentiment propelled from a vociferous fanbase. Catfish and the Bottlemen possess a magnetic and dynamic focal point in McCann, renowned for posing everyday, easilyidentifiable observations through his lyrics.
Remastered from the rare analog tape the special edition vinyl will be on 2LP for the first time. Limited double vinyl LP repressing of this 1988 debut album from the Rap kingpin. The Great Adventures Of Slick Rick topped Billboard's R&B/Hip Hop albums chart for five weeks and peaked at #31 on the Billboard 200 chart.
“High Crimes” is the first album in 8 years from The Damned Things. Fronted by Keith Buckley (Every Time I Die) and backed up by the likes of Scott Ian on guitar (Anthrax), Joe Trohman also on guitar (Fall Out Boy), Andy Hurley on drums (Fall Out Boy) and Dan Andriano on bass (Alkaline Trio), The Damned Things sprung out of Ian and Trohman’s love of Thin Lizzy and catchy, dirty rock ‘n roll. The band’s Nuclear Blast debut was recorded by Jay Ruston (Fall Out Boy, Coheed and Cambria etc) and will be released April 26 2019.
Rob Thomas is one of the most distinctive artists of this or any other era - a gifted vocalist, spellbinding performer, and accomplished songwriter known worldwide as lead singer and primary composer with Matchbox Twenty as well as for his multi-platinum certified solo work and chart-topping collaborations with other artists. Among his countless hits are solo classics like "Lonely No More," "This Is How A Heart Breaks," and "Streetcorner Symphony," Matchbox Twenty favorites including "Push," "3AM," "If You're Gone," and "Bent," and of course"Smooth," his 3x RIAA platinum certified worldwide hit collaboration with Santana.
Thomas made his solo debut with 2005's platinum certified "...SOMETHING TO BE" and immediately made history as the first album by a male artist from a rock or pop group to ever debut at # 1 on the Billboard 200.
“On Monday 15th January this year Dolores O’Riordan died in London. Two days later she was due to come into BMG and play us the song demos for a new Cranberries album. At this point none of us believed there would be another studio album from the band.
A couple of months later the remaining band members (Noel, Fergal & Mike) listened through to the vocals with producer Stephen Street and with the full support of Dolores’s family the decision was taken to take the vocal tracks and for the band to complete the recording of the album. This was a direct reaction to the strength of the material Dolores had left as her legacy.
The end result is a euphoric alternative rock album on a par with the band’s best work, and together with the striking album artwork (by original band photographer Andy Earl and original sleeve designer Cally Calloman), celebrates vitality and optimism albeit tinged with tremendous poignancy.”
—Alistair Norbury, BMG UK President
Vinyl: $29.98 PRE ORDER
Double LP on green vinyl in same packaging as standard version & a bonus 7-inch with two non-album songs (on black vinyl). Includes coupon for full download. Indie Only. Limited Edition
The Mountain Goats are John Darnielle, Peter Hughes, Jon Wurster, and Matt Douglas. They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair & persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. Thank you.
Josh Ritter is returning this year with a new full-length, his tenth studio LP and follow-up to 2017’s Gathering. The Americana songwriter’s latest album, Fever Breaks, spans 10 tracks recorded at Nashville’s RCA Studio A over the second half of the past year. Jason Isbell produced the effort, which features his band The 400 Unit playing backup. It’s an exciting confluence of talents, and the promised chemistry bears out on the album’s gritty lead single “Old Black Magic”.
Altin Gun was inspired by founder Jasper Verhulst’s passion for both Turkish folk music & psychedelia. Their new record Gece firmly establishes the band as masterful interpreters of Anatolian rock/folk & leading voice in the emergent global psych scene. It’s electric Turkish history reimagined for the 21st century, filled with funk-like grooves & explosive psychedelic textures. It’s the sound of a band both committed to its sources & excitedly transforming them.
A 3-disc bundle of the artist's pivotal new millennium pop party dance music, Ultimate Rave brings together CDs of 1999s Rave Un2 the Joy Fantastic and its 2001 remix Rave In2 the Joy Fantastic alongside a DVD containing the full-length performance version of Rave Un2 the Year 2000. Rave Un2 The Joy Fantastic features a surprising amount of guest artists (Chuck D, Eve, Gwen Stefani, Sheryl Crow) and a clutch of radio-friendly tracks while Rave In2 The Joy Fantastic was one of the first full releases for Prince's innovative NPG Music Club members; highlights include a remix of Hot Wit U that incorporates elements of the Prince-penned Vanity 6 hit "Nasty Girl" and the previously unreleased "Beautiful Strange." The live DVD Rave Un2 the Year 2000, Prince's epic 1999 New Year's Eve party, originally lensed for on-demand pay-per-view airing during the dawning of Y2K features special guests like Maceo Parker, Larry Graham, George Clinton, The Time and Lenny Kravitz and includes hits from across Prince's career ("Let's Go Crazy," "Purple Rain," "1999," "Raspberry Beret," "Kiss") plus amazing covers, rarities and cuts from Rave Un2 like "Baby Knows" and "The Greatest Romance Ever Sold."
Prince's Rave In2 The Joy Fantastic is available on limited edition purple vinyl for the first time. One of the first full releases for Prince's innovative online subscription service The NPG Music Club, was this remixed version of Rave Un2 The Joy Fantastic; highlights include a remix of Hot Wit U that incorporates elements of the Prince-penned Vanity 6 hit Nasty Girl and the previously unreleased "Beautiful Strange."
Prince's Rave Un2 The Joy Fantastic is available on limited edition purple vinyl. Prince had taken quite the ownership of the year 1999, so it was no surprise that the last year of the millennium was one of The Artist's biggest. The album was his only release for Arista Records and the last to be released under his unpronounceable symbol. It features a surprising amount of guest artists (Chuck D, Eve, Gwen Stefani, Shery Crow) and a clutch of radio-friendly tracks ("The Greatest Romance Ever Sold," "So Far," "So Pleased," "Hot Wit U," a cover of Crow's "Everyday Is a Winding Road").
When Seattle band Tacocat—vocalist Emily Nokes, bassist Bree McKenna, guitarist Eric Randall, and drummer Lelah Maupin—first started in 2007, the world they were responding to was vastly different from the current Seattle scene of diverse voices they’ve helped foster. It was a world of house shows, booking DIY tours on MySpace, and writing funny, deliriously catchy feminist pop-punk songs when feminism was the quickest way to alienate yourself from the then-en vogue garage-rock bros. Their lyrical honesty, humor, and hit-making sensibilities have built the band a fiercely devoted fanbase over the years, one that has followed them from basements to dive bars to sold-out shows at the Showbox. Every step along the way has been a seamless progression—from silly songs about Tonya Harding and psychic cats to calling out catcallers and poking fun at entitled weekend-warrior tech jerks on their last two records on Hardly Art, 2014’s NVM and 2016’s Lost Time. This Mess is a Place, Tacocat’s fourth full-length and first on Sub Pop, finds the band waking up the morning after the 2016 election and figuring out how to respond to a new reality where evil isn’t hiding under the surface at all—it’s front and center, with new tragedies and civil rights assaults filling up the scroll of the newsfeed every day. “What a time to be barely alive,” laments “Crystal Ball,” a gem that examines the more intimate side of responding emotionally to the news cycle. How do you keep fighting when all you want to do is stay in bed all day? “Stupid computer stupor/Oh my kingdom for some better ads,” Nokes sings, throwing in some classic Tacocat snark, “Truth spread so thin/It stops existing.” Despite current realities being depressing enough to make anyone want to crawl under the covers and sleep for a thousand years, Tacocat are doing what they’ve always done so well: mingling brightness, energy, and hope with political critique. This Mess is a Place is charged with a hopefulness that stands in stark contrast to music that celebrates apathy, despair, and numbness. Tacocat feels it all and cares, a lot, whether they’re singing odes to the magical connections we feel with our pets (“Little Friend”), imagining what a better earth might look like (“New World”), or trying to find humor in a wholly unfunny world (“The Joke of Life”). It’s a delightfully cathartic moment and the cornerstone of the record when they exclaim, in “Grains of Salt:” “Don’t forget to remember who the fuck you are!” Producer Erik Blood (who also produced Lost Time) brings the band into their full pop potential but still preserves what makes Tacocat so special: they’re four friends who met as young punks and have grown together into a truly collaborative band. Says Nokes: “We can examine some hard stuff, make fun of some evil stuff, feel some soft feelings, feel some rage feelings, feel some bitter-ass feelings, sift through memories, feel wavy-existential, and still go get a banana daiquiri at the end.” —Robin Edwards
Not everything appears instantly. Jesse Mac Cormack's astonishing debut album arrives unhurried: a work of ardent, kaleidoscopic art-rock that is at once a dazzling premiere and the culmination of a meticulous five-year evolution. Over the course of three EPs, the Montreal native has gathered accolades and refined his vision, nourishing a songwriting that is lavish and undaunted. Following early work that drew heavily from folk and roots-rock - Les Inrocks called him the 'new hero of modern folk' - the songs on Now are prismatic and forward-facing, recalling the adventurous pop of Tame Impala, Talk Talk and Perfume Genius.'If you succeed at being yourself, nothing can stop you,' Mac Cormack says. On 'Now,' he's succeeded. (And nothing will.) Pressed on limited edition milky clear vinyl.
Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014.
Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna, Charli XCX, Usher, HAIM, Solange, and others). The album features 18 songs, with an array of collaborations yet to be revealed. 6 of the songs from Father of the Bride will be released ahead of the full album.
Judah & the Lion return with their third album, Pep Talks, following their widely successful Folk Hop n’ Roll and their breakout hit, “Take It All Back.” The album is a mature step for the band, and blends uplifting, powerful anthems with more contemplative and emotional tracks. The album includes “Over my head” and “Quarter-Life Crisis” and features Kacey Musgraves and Jon Bellion.
Brian Fennell is a student of simplicity. As SYML (pronounced "simmel"), which translates to "simple" in Welsh, Fennell writes emotive songs that capture the ethos of his musical persona. Ultimately his songs are a kind and truthful depiction of emotion grounded by his gut-wrenching vocal delivery. This is SYML’s debut album.
2019 release. Frank Carter & the Rattlesnakes return with their third studio album End of Suffering. Recorded at Chapel Studios with Cam Blackwood (George Ezra/Jack Savoretti) and mixed by Alan Moulder (Nine Inch Nails/Queens of the Stone Age) - End of Suffering (named after the Buddhist term for enlightenment) is the sound of a band entering an entirely new realm of the senses, a forty minute rock 'n' rollercoaster of molten-hot bangers, scorched-soul ballads and grunge lullabies laced through with a lacerating lyrical honesty.
U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, set to be released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.
Nashville-based singer-songwriter Caroline Spence will release Mint Condition, her third full-length release and her debut for Rounder Records, on May 3, 2019.
Mint Condition follows Spades and Roses, a 2017 release which earned accolades from journalists and her peers in the songwriting community. In bringing Mint Condition to life, Spence worked with producer Dan Knobler (Lake Street Dive, Erin Rae) and recorded at his Nashville studio Goosehead Palace, landing a guest appearance from Emmylou Harris and enlisting musicians from Spence’s previous projects and live band. The album was mixed by Grammy-winning engineer Gary Paczosa (Sarah Jarosz, Parker Millsap, Gillian Welch).
New to Vancouver (Canada), alternative/singer-songwriter and multi-instrumentalist Jon Bryant sought connection. After joining, spending time and eventually leaving an undisclosed ‘cult’, Bryant’s fascination with cults began to percolate and became the framework for his upcoming full-length ‘Cult Classic’, that releases on May 17, 2019 via Nettwerk.
Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.
Bad Religion are set to release their new album Age of Unreason, which can be described as "a musical manifesto on the current political landscape.” In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.
Inclusivity is at the heart of Barrie, the Brooklyn five-piece made of Barrie Lindsay, Dominic Apa, Spurge Carter, Sabine Holler and Noah Prebish. And on their debut LP Happy To Be Here, their multidimensional take on classic pop sounds awake and present, like a group that’s daydreaming but firmly there with one another. Barrie, the band, is primarily her project; on the record, which she co-produced with Jake Aron (Snail Mail, Solange, Grizzly Bear), Lindsay plays guitar, piano, synth and bass. But still, Barrie is distinctly not a solo project, and Happy To Be Here—out May 3, 2019 via Winspear—is very much a full band record.
Happy To Be Here offers snapshots of the band coming together in the city, after having lived all over: Boston, Baltimore, upstate New York, London, São Paulo via Berlin. “The scaffolding of this album is moving to New York and finding t