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For a band that never achieved much chart success in their native Britain, The Creation is one of the most paradoxically enduring of British combos to emerge in the furiously creative mid-sixties. Their recordings from their 1966-68 heyday are not numerous, but they have become the archetype 'cult' band, their music being discovered, loved and admired by successive generations of fans over the last half-century or so. The key to The Creation's longevity lies in their retrospective status as the prime exponents of a musical sub-genre latterly dubbed 'Freakbeat' - and for gifting their name for one of the most successful British independent record labels of the eighties and nineties. The Sex Pistols covered "Through My Eyes" in some live shows, and songs like "Making Time" and "Biff Bang Pow" regularly appear on TV drama soundtracks. This 34-track 2 CD set includes the band's 60s recordings, plus (for the first time on a "Best Of" compilation) highlights from their studio reunions in 1987 and 1996, along with full annotation by Alan Robinson. With photos from his own archive, the design and artwork are by sleeve design-legend Phil Smee.
For a band that never achieved much chart success in their native Britain, The Creation is one of the most paradoxically enduring of British combos to emerge in the furiously creative mid-sixties. Their recordings from their 1966-68 heyday are not numerous, but they have become the archetype 'cult' band, their music being discovered, loved and admired by successive generations of fans over the last half-century or so. The key to The Creation's longevity lies in their retrospective status as the prime exponents of a musical sub-genre latterly dubbed 'Freakbeat' - and for gifting their name for one of the most successful British independent record labels of the eighties and nineties. The Sex Pistols covered "Through My Eyes" in some live shows, and songs like "Making Time" and "Biff Bang Pow" regularly appear on TV drama soundtracks. This 34-track 2 CD set includes the band's 60s recordings, plus (for the first time on a "Best Of" compilation) highlights from their studio reunions in 1987 and 1996, along with full annotation by Alan Robinson. With photos from his own archive, the design and artwork are by sleeve design-legend Phil Smee.
740155730130
Making Time: The Best Of (Uk)
Artist: Creation
Format: CD
New: In Stock $17.99
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Formats and Editions

DISC: 1

1. Making Time
2. Try and Stop Me
3. Painter Man
4. Biff Bang Pow
5. Sylvette
6. If I Stay Too Long
7. Nightmares
8. Cool Jerk
9. Like a Rolling Stone
10. Can I Join Your Band
11. Hey Joe
12. Life Is Just Beginning
13. Through My Eyes
14. How Does It Feel to Feel [UK Version]
15. Tom Tom
16. How Does It Feel to Feel [Us Version]
17. I Am the Walker
18. Ostrich Man
19. Sweet Helen
20. Midway Down
21. The Girls Are Naked
22. Bony Moronie
23. Mercy, Mercy, Mercy
24. For All That I Am
25. Uncle Bert
26. Lay the Ghost
27. Psychedelic Rose
28. Radio Beautiful
29. Doing It My Way
30. Spirit Called Love
31. Creation
32. Power Surge
33. Someone's Gonna Bleed
34. That's How I Found Love

More Info:

For a band that never achieved much chart success in their native Britain, The Creation is one of the most paradoxically enduring of British combos to emerge in the furiously creative mid-sixties. Their recordings from their 1966-68 heyday are not numerous, but they have become the archetype 'cult' band, their music being discovered, loved and admired by successive generations of fans over the last half-century or so. The key to The Creation's longevity lies in their retrospective status as the prime exponents of a musical sub-genre latterly dubbed 'Freakbeat' - and for gifting their name for one of the most successful British independent record labels of the eighties and nineties. The Sex Pistols covered "Through My Eyes" in some live shows, and songs like "Making Time" and "Biff Bang Pow" regularly appear on TV drama soundtracks. This 34-track 2 CD set includes the band's 60s recordings, plus (for the first time on a "Best Of" compilation) highlights from their studio reunions in 1987 and 1996, along with full annotation by Alan Robinson. With photos from his own archive, the design and artwork are by sleeve design-legend Phil Smee.
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